All actions have consequences. This is how life goes.
Patrick is a loner, an intelligent but disturbed young man struggling to find his place in the world. He ventures out on his own, and, as he begins to find happiness, he commits an act of violence that sends his life horribly and irreversibly out of control. But should a person's life be judged by a single bad act?
This is How is a compelling and macabre journey into the dark side of human existence and a powerful meditation on the nature of guilt and redemption.
An extraordinary study of a skewed, complex character ... This is How confirms [Hyland] as a true virtuoso of such immersive writing.
In This Is How Hyland has stripped away the relationships that Carry Me Down explores and put her unstable protagonist in a world without anyone he knows. It's a frightening idea, and with no one biased in his favour and no one to notice signs of distress, Oxtoby's deterioration is rapid ... Every conversation he has is strained and Hyland's well pitched dialogue cranks up the tension mercilessly.
Hyland's exquisitely crafted prose makes readers care for this emotionally disjointed protagonist.
Angel Gurria-Quintana, Financial TimesFrom the first pages the laconic first-person narrative is full of tension ... Hyland's focus is steady, her detail relentless. The novel becomes deeply moving, not because there is any special pleading for Oxtoby but because it stays with a devastated man in all his weakness ... This is an expertly paced, gripping novel that doesn't falter and never compromises its emotional truth
Helen Dunmore, The TimesPatrick's discomfort is reflected in Hyland's terse, unadorned prose, choppy with one-sentence paragraphs that isolate each event from the next, just as Patrick is cut off from his own response to them.
Rachel Aspden, ObserverEffective and compelling.
Lesley McDowell, Sunday HeraldDarkly, sparsely, and with sustained intensity, Hyland constructs the montage of a killer ... a dash of Camus's Meursault is added to the pathology ... She writes intelligently about her subject's growing institutionalization, his bafflement growing into boredom then safety as Patrick gradually finds a kind of happiness inside ... From within these shady borderlands Hyland has produced a memorable study.
Toby Lichtig, Times Literary SupplementA vividly imagined novel ... Every word of Hyland's narrative - observed with the bright, deranged precision of a Richard Dadd painting - resonates with Patrick's tragic awareness of what he lacks.
Jane Shilling, Daily TelegraphHyland's first two novels displayed a talent to delve into darkness. Her riveting follow-up, This Is How, its title as cryptic as the murderer Patrick Oxtoby who possesses its haunted pages, is her finest novel yet.
Tom Adair, ScotsmanHyland creates a suffocating bubble of inevitability through the meticulous psychological make-up of Patrick ... The writing feels devoid of both action and emotion, and is painstakingly pedestrian in its present-tense observations, but as with Kafka and Camus, that in itself creates the effect of how grindingly bleak life can be ... It's a chilling study of society, the disaffected and the concept of justice.
Irish IndependentA tour de force. Hyland illuminates this man's damaged soul with such a steely, brilliant clarity that your heart breaks for him.
HELEN GARNERM.J. Hyland has a ferocious imagination, and an eerie way of squeezing the distance between author, character and reader, so that the atmosphere of the book soaks and penetrates the reader's mind. When you've been reading Hyland, other writers seem to lack integrity; they seem wedded to weak confabulations, whereas she aims straight for the truth and the heart.
Hilary Mantel